‘Tell me her story because War is only the half of it’ is a documentary project based on my family immigration history from Poland to France in 1938.
Nietzsche believes that our life is a kind of cycle, and the life and lives seemingly belongs to ourselves, in fact, has occurred in the world in an unseen way. Our lives can be previewed, and someday our lives will be reproduced in the same way that we have experienced, while the former will repeat itself indefinitely.
However, the basis of the existence is that the world is absent of reincarnation, lives cannot be rehearsed, what’s more, we can neither compare it with our past life nor make it perfect and then spend it again.
Dans l’entrée de la maison, située dans un quartier résidentiel de Lille, Olivier Despicht a installé un dispositif très simple, conquis sur l’espace domestique utilitaire : un tabouret est posé devant un mur revêtu de fibre de verre, éclairé à 90° par une fenêtre orientée à l’ouest, dont un rideau peut occulter la partie inférieure.
Eli Craven’s work explores the role of images in processes of socialization, specifically their relationship to identity, death, and desire. The acts of looking and
collecting are central to his process. He gathers imagery and objects from estate sales, secondhand markets, and digital archives, and they are reconfigured to
interrogate the ostensible values of the original. Using photography, sculpture, and collage he creates works aimed at forming narratives that brim with new
possibilities—engaging viewer’s senses with the familiar, the bizarre, the mundane, and the erotic.
A Deep Sense of Conviviality is an index of green plants located in public areas of Shanghai (subways, banks, police stations, museums, official buildings …)
The green plants have been precisely geolocated, measured and weighted with the following limitations : if the plant is taller than the artist, will be indicated > 1m68. If the plant is too heavy for the artist to carry, will be indicated > 30 kgs. The color of the plant is named after the closest color on a painting catalogue for living rooms.
Pot included in the archival.
A Deep Sense of Conviviality ironically questions China’s continual surveillance and police state.
Han Chen est né en 1990 en Chine.
Après avoir obtenu une licence en photographie en Chine et abordé le design graphique en France, il poursuit ses études en photographie à la Cambre, Bruxelles.
Ces collages sont issus d’une grande série intitulée “FSRP”. Ils sont réalisés uniquement avec des chutes de papiers qui ont été découpés pour être utilisés à la réalisation de séries de collages plus figuratives. Dans cette série, il n’y a pas de thématiques, il s’agit simplement et seulement de composer des collages spontanés, instinctifs, impulsifs.
This work is a visual exploration of the relationship I have with my mother, set in our family house in South of Switzerland.
My mother is an iranian artist. She spent her childhood in Tehran as a secluded child, a condition of isolation which she somehow replicates in her adult life.
The Spectacle Of Nature
Nature has its own unremitting cycle. She needs no settings, no embellishment. But Americans are no ordinary people.
And they did not build such an empire on average representations for satisfactory feelings sake. They hit hard and they went for the extraordinary, the amazing, the incredible. In everything. The amount of adjectives to describes these feelings are as immense as the energy they put in creating such marking settings.