online portfolios / photographers

John Carrid | Night Cargo

A backroom, also called the darkroom, is a room where, in some gay bars, consumers can meet in the twilight or darkness for sex, can meet without undressing. This room can be converted into labyrinths and small compartments.

Chen Chong | some portrat

Nietzsche believes that our life is a kind of cycle, and the life and lives seemingly belongs to ourselves, in fact, has occurred in the world in an unseen way. Our lives can be previewed, and someday our lives will be reproduced in the same way that we have experienced, while the former will repeat itself indefinitely.

However, the basis of the existence is that the world is absent of reincarnation, lives cannot be rehearsed, what’s more, we can neither compare it with our past life nor make it perfect and then spend it again.

> Read moreChen Chong | some portrat

Olivier Despicht | Mylène 2009-2016

Dans l’entrée de la maison, située dans un quartier résidentiel de Lille, Olivier Despicht a installé un dispositif très simple, conquis sur l’espace domestique utilitaire : un tabouret est posé devant un mur revêtu de fibre de verre, éclairé à 90° par une fenêtre orientée à l’ouest, dont un rideau peut occulter la partie inférieure.

> Read moreOlivier Despicht | Mylène 2009-2016

Eli Craven | Spread

Eli Craven’s work explores the role of images in processes of socialization, specifically their relationship to identity, death, and desire. The acts of looking and
collecting are central to his process. He gathers imagery and objects from estate sales, secondhand markets, and digital archives, and they are reconfigured to
interrogate the ostensible values of the original. Using photography, sculpture, and collage he creates works aimed at forming narratives that brim with new
possibilities—engaging viewer’s senses with the familiar, the bizarre, the mundane, and the erotic.

> Read moreEli Craven | Spread

Anna Broujean | Un Grand Sens de la Convivialité


A Deep Sense of Conviviality is an index of green plants located in public areas of Shanghai (subways, banks, police stations, museums, official buildings …)
The green plants have been precisely geolocated, measured and weighted with the following limitations : if the plant is taller than the artist, will be indicated > 1m68. If the plant is too heavy for the artist to carry, will be indicated > 30 kgs. The color of the plant is named after the closest color on a painting catalogue for living rooms.
Pot included in the archival.
A Deep Sense of Conviviality ironically questions China’s continual surveillance and police state.

> Read moreAnna Broujean | Un Grand Sens de la Convivialité

Musta Fior | Collages

Ces collages sont issus d’une grande série intitulée “FSRP”. Ils sont réalisés uniquement avec des chutes de papiers qui ont été découpés pour être utilisés à la réalisation de séries de collages plus figuratives. Dans cette série, il n’y a pas de thématiques, il s’agit simplement et seulement de composer des collages spontanés, instinctifs, impulsifs.

> Read moreMusta Fior | Collages

Sheung Yiu

(PHOTO)graphy is a conceptual still life project that re-examines the limitation of photographic image to the representation of reality, by treating photographs as surrealistic objects. When an image is printed on a photo paper, the paper acquire the appearance of the photographed subject and the subject obtain the physical quality of a paper sheets. 

> Read moreSheung Yiu

Baptiste Fichaux | Selected Ambient Works

Si la série Selected Ambient Works offre une juxtaposition d’images issues de différents endroits du monde, s’approcher davantage permet d’appréhender les caractères communs contenus dans ces lieux. Villes au développement récent comme São Paulo ou Berlin, pays de forêt faisant face à son industrialisation avec la Finlande ; l’objectif semble le plus souvent vagabonder dans des zones impersonnelles liées à une architecture fonctionnelle à la croissance anarchique.

> Read moreBaptiste Fichaux | Selected Ambient Works

Lila Khrosrovian | The Spectacle of Nature

The Spectacle Of Nature

Nature has its own unremitting cycle. She needs no settings, no embellishment. But Americans are no ordinary people.
And they did not build such an empire on average representations for satisfactory feelings sake. They hit hard and they went for the extraordinary, the amazing, the incredible. In everything. The amount of adjectives to describes these feelings are as immense as the energy they put in creating such marking settings. 

> Read moreLila Khrosrovian | The Spectacle of Nature