While the Internet can seem like a place disconnected from the physical world, much of the activity that occurs there deeply affects how people feel outside of it. In the age of social media, where selfhood is effaced by self-promotion, and the glorification of digital beauty undermines the truthfulness of real self-expression, women very often become dissatisfied with what they see in the mirror. Modern technology provides women with tools that allow them to quickly create dream digital image of themselves. Using various beauty applications, they can smooth, contour their faces, whiten their teeth, add a few centimetres of height, enlarge their eyes, choose different mouths, and use many other options.
In this series, I tried to challenge our trust of digitally constructed imagery in the context of the post photographic era. The project was inspired by the failures and bugs in the popular beauty apps, where unnatural bodies get distorted. I used photography as a starting point, alongside digital tools to create an expressive project that is both a critique and a celebration of the ongoing progress in contemporary technology and culture. I employed many methods of creating images: preparing three-dimensional collages constructed from stock images and her own portraits, photographing the scenes, printing in large sizes, physically manipulating prints, and digitally editing selected photos. In the final work, I tried to leave visible traces of digital processing, partly revealing my working methods in order to provoke discussion about contemporary photography.
Digitally edited images can serve as aspirational fantasies and occasionally they even can have a positive impact – when they are just effects of joyful entertainment. But can the game in which “your body is a battleground” be truly enjoyable? The phrase from Barbara Kruger’s iconic work has just as much resonance today as it did more than a quarter of a century ago.Ewa Doroszenko (b. 1983) is a Warsaw-based artist whose creative practice employs a mixture of painting, photography and digital media. She earned a Doctor of Fine Arts degree from the Nicolaus Copernicus University in Torun, Poland. Doroszenko is a scholarship holder of the Minister of Culture and National Heritage (2019) and a winner of many competitions, including DEBUTS 2018 (doc! photo magazine), Young Lynxes 2018 (Contemporary Lynx), Debut 2018 (Lithuanian Photographers Association). She is a beneficiary of many residency programs, including: Petrohradska Kolektiv in Prague (Czech Republic 2018), Klaipeda Culture Communication Center (Lithuania 2017), Atelierhaus Salzamt in Linz (Austria 2016), The Island-resignified in Lefkada (Greece 2015), Kunstnarhuset Messen in Ålvik (Norway 2015), AAVC Hangar in Barcelona (Spain 2014).
Doroszenko is a participant of many exhibitions and festivals, such as Riga Photomonth, Transmission Arts Festival Athens, FILE Electronic Language International Festival in Sao Paulo, Interference Festival in Gdansk, ISEA International Symposium on Electronic Art in Vancouver, GENERATE! Festival for Electronic Arts in Tübingen, The Wrong New Digital Art Biennale in Rio de Janeiro, among others. Her photographs have been featured in publications and blogs such as Vice, NEO2, The Forumist, YET magazine, The Calvert Journal, Daily Serving, Metal, Flat Magazine, Detroit Center for Contemporary Photography.